Oresteia
Oresteia
A cycle of blood vengeance within one family can only be ended by replacing private revenge with a public court of law, even when that means a goddess must overrule the older gods of retribution.
- blood vengeance versus public law
- the founding of trial by jury
- the Furies transformed into civic guardians
- justice as a communal, not private, matter
The only complete surviving Greek tragic trilogy, staging the murder of Agamemnon by his wife Clytemnestra, her murder in turn by their son Orestes, and Orestes's eventual trial and acquittal before a jury founded by Athena. The trilogy dramatizes the shift from a cycle of familial blood-vengeance to civic justice administered by law, closing with the ancient Furies transformed into protective guardians of Athens. Its three plays, Agamemnon, Libation Bearers, and Eumenides, were performed together at the City Dionysia in 458 BC and won first prize. Its central tension pits the ancient Furies, who pursue Orestes for spilling his mother's blood regardless of her own guilt, against Apollo's claim that Orestes acted justly, a deadlock only Athena's founding of the Areopagus court, and her own tie-breaking vote, resolves.
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